Kandy Esala Perahera Essay Topics

The month of Esala (July), during which period this annual pageant is usually held, had been considered a month of celebrations and festivity, both among Indians and Sri Lankans. Even from the lifetime of the Buddha in the 6th century BC, the Esala festival was held to commemorate the Buddha's Conception, his Renunciation and the First Sermon. Esala is also considered to be the beginning of the raining season (Vassana) when the monks commence their Retreat. Also, this month is considered to be the period when ritual performances to the protective divinities are held, (eg Pattini puja) as recorded in the text 'Pattini-Halla'.    Being considered a 'chaste' month, the period is held sacred for the availability of water, hence prosperity.

Several records have been left behind by dignitaries and other visitors to the island such as Robert Knox, John Davy, etc. The description of the perahara. These accounts provide much evidence as to the constitution and organization of the present day perahara. Yet many features seem to have been added and some changed to suit the time and the available resources and conditions.Dalada procession and the social traditions are linked so much together; the month of Esala has been named as the procession month, because of the Esala feast. In the 18th century at the time of King Keerthi Sri Rajasinghe the four Devala Peraharas and Dalada Perahara were amalgamated and were made series of Peraharas. The procession is a complex procedure in which various customs are involved.

The preliminary preparation for the perahara commences at the beginning of every year. Immediately after the Wesak and Poson pageants steps are taken to inform the owners of elephants the number of tuskers and elephant required measures of repair the dresses worn by the elephants and prepare new dress if required. Measures are taken to repair the required implements like oil torches etc and to fulfill the requirements to make the perahara a success. The astrologer attached to the Sacred Tooth (Nakath Mohottala) is required to prepare an auspicious time for pageant to be inaugurated. Later a meeting of state official and delegates of voluntary associations with the patronage of the Mahasangha is summoned to discuss matters pertaining to services to be executed to make the perahara a glorious event.

Kumbal Perahera (Kumbal Procession)

  • The first procession of the Sacred Tooth Relic stars with the Kumbal Perhara. This is the first Kumbal Perhara shown to the infants to drive away Evil Spells and Illwill. It is a tradition that the procession parades the streets of Kandy for five days. But the Kumbal Perahara is popular and remains as an unfinished procession or a semi procession. The reason is that Nilames do not work in this procession. But the Drummers and Tuskers take part without any ceremonial costumes.

Randoli Perahera (Randoli Procession)

  • This could be seen only with the procession of the Sacred Tooth Relic and parade the streets for whole five days which is a tradition. In the days of the Kings the Chief Queen of the Kings paraded in this procession in Palanquins. As the participation of the Queens was not proper to the procession of the Sacred Tooth Relic they were stopped but a palanquin is taken in the procession as an honor to the Queen. Today it is taken as the last item of the procession.

Maha Randoli Perahera (Grand Randoli Procession)

  • The Maha Randoli  Perahara is the last Procession. It is the grandest event of the festival. The Tuskers come with garlands and decorated with ceremonial costumes. The Diyawadana Nilame adds a novel glamour to the procession by wearing newly stitched costume.


The Permission

  • Until the sound of shots for the start of the procession is heard the tuskers, drummers, dancers and other artistes are lined up. Permission for the start of the procession is granted by Diyawadana Nilame. All the officials Kariya Korala, Gajanayake, Kapuwas Vidanes, Kankanam Rala, Mohottala and Wattorurala greet the Diawadana Nilame and proceed. These traditions are carried out regularly

Sound of Shots in the Perhara

  • It is the custom to fire three rounds of shots before commencement of the pageant. At the first sound the processions of the four devalas line up and move to join the procession of the Maligawa. The Second sounds indicate that the casket is placed in the Ranhilige on the ceremonial tusker. The Third sound indicates that the pageant is set off.

Kasakaruwo (Whip Crackers)

  • When the procession parades the streets the first participants you see are the whip crackers. It is believed that the noise of the whips depicts thunder and lightning. There are thirty of them. They intimate the arrival of the King. Generally they are used to make room for the Sacred Tooth Relic to be taken in the procession.

Buddhist Flags

  • To indicate that Kumbal Perahra and Randoli Perahahra are Buddhist rituals, Buddhist flags are taken in the procession. The youth clad in white cloth carrying Buddhist flags and their solemn walk is a spiritual and pleasant sight. The cool breeze from the Kandy Lake and the colours of the Buddhist flags add glamour to the procession.

Provincial Flag Bearers

  • According to the traditions of Kandy era the provincial flags are added to the procession and at that time Nilames in charge of provinces carry these flags. This tradition could be seen even today. First is the Sun and Moon flag of Sathara Koralaya, second the white flag of Matale, third the Silk flag of Sathara Koralaya,second the white flag of Matale, third the Silk flag of Sabaragamuwa, fourth the mythical bird of Thun Koralaya,the flag of the Peacock of Uva Walapane and the flag of the Lotus Flower of Uda Palatha taken in the Procession.

Sword Carriers

  • From the time, the Sacred Tooth Relic arrived in Sri Lanka and established in the temple it faced so many hostilities and hazards. However the swords which were raised to prevent these hostilities are remembered by the feature of these sword bearers in the procession. They walk with raised swords along the path of the procession of the Sacred Tooth Relic. They do not perform any dance but walk.

Fire Ball Dancers

  • The glow of lightning is magnificently shown by these Fire Ball Dancers. Turning of the Fire Balls is called 'Pandampaliya' which drives darkness of the night illuminating the procession.This Fire Ball Display is dangerous but with a balanced mind and body it is a simple exercise.

Peramune Rala (Front Runner)

  • Traditionally after the whip crackers comes the Peramune Rala on a tusker with his set of documents of tailpots containing the religious activities of procession of the Sacred Tooth Relic as well the duties with regard to the properties of the temple of the Sacred Tooth Relic. This set of documents should be taken with both of his hands.He wears a white costume and a triangular hat(Thuppottiya).

First Hewisi Group

  • They come behind the tusker with the Peramune Rala (Front Runner). They are the first four Hewisi Players of the Temple. Their Presence in the front of the procession is a tradition. They Perform with a majestic skill.

Gajanayake Nilame

  • He is in charge of the group of tuskers of the King. Symboling this Gajanayaka Nilame walks as if he is in charge of the Elephants and tuskers who walk as if he is in charge of all the Elephants and tuskers who walk in the procession. As a tradition Diyawadana Nilame hands over a Goad to Gajanayake Nilame. He carries this pointing it to the sky and walks majestically dressed in a colourful costume.


  • These hereditary Drum Beaters beat their drums as a religious ritual to the Sacred Tooth Relic. The procession consists of a collection of several generations of Drum Beaters who play the tunes pertaining to their own tribe. Start of the beat,Welcoming beat,Walking beat,Walinada beat are performed. These professional musicians perform with great respect and honor.

Horanekaruwo (Trumpet Blowers)

  • Trumpet is a well tuned instrument and is to be mastered. It has been popularized as the sound of Dalada Perahara. The tune Gajaga Wannama is well played right throughout the procession.Trumpet is made with skills pertaining to generations. It is an essential instrument of the Dalada Procession. White dress red cotton belts and shoulder are parts of the trumpet blower’s costumes and bare chests.

Coconut Flower Dancers

  • Coconut Flower is the symbol of prosperity. That is because they decorate the Punkalasa with Coconut flowers. The purpose of the Dalada Perahara is to wish prosperity to the country. To symbolize this, dancers carry coconut flowers in their hands. They perform a simple dance reciting verses changing the coconut flower from hand to hand.

Thammattamkaruwo    (Thammattam Players)

  • The drum tied round the waist produce the rhythm by beating with the help of two sticks. The hands and feet are free for them to dance and play the drum easily. Their costumes are made of white and red cloth.     

A “perpetual fire-laughing motion among the slow shuffle of elephants”: this is what D.H. Lawrence once said about Sri Lanka’s Esala Perahera, the nation’s biggest and one of the world’s oldest religious festivals, taking place across the island this year from August 11 to 21. Scantily clad dancers, fire eaters and elephants wearing illuminated garments parade by as beats are relentlessly drummed and men crack whips to scare away demons portrayed by mask wearing participants – all of this in celebration of a single tooth.

According to legend, a tooth, supposedly cribbed from the Buddha’s funeral pyre, wound up in Sri Lanka in the fourth century CE when it was smuggled in by Princess Hemamala and Prince Dantha. The famed incisor now rests in the island’s holiest temple, Dalada Maligawa (aka Temple of the Tooth). In its present incarnation, the Esala fuses two Peraheras (“Processions”): The Esala Perahera, which was originally a ritual conducted to invoke the rain gods; and the Dalada Perahera, which began when the Sacred Tooth Relic arrived.

Today the festival also incorporates Hindu elements, as four processions (or parades) actually begin at Hindu temples (more on this below). A total of ten sensory-overloading parades take place and you can’t help but participate.

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As the festival website Fest300.com puts it, “you’ll inhale wafting incense, jasmine and frangipani bouquets…and gasp in awe as fire eaters swing burning coconut husks from chains and men crack whips to scare away demons only inches from people’s faces.”

A caveat: Sri Lanka is not the only spot in Asia to claim a piece of the Buddha. Temples in Singapore, Taiwan, Japan, and even California believe they possess one of Gautama’s teeth. But in Sri Lanka, the tooth commands a level of reverence not found among Buddhists in these other locales.

“Most Sri Lankans either go in person or watch from television. I’ve been five or six times,” Mishelle, a half-Japanese, half-Sri Lankan living in Tokyo, told The Diplomat. “My father is a Buddhist Sri Lankan and my mother is Japanese. So we all used to go as a family. It’s a very special festival for Buddhists. There are actually many Perahera festivals around Sri Lanka. The one in Kandy just happens to be the biggest and oldest.”

At Kandy’s Esala, the festival begins with the cutting of a ceremonial jack tree. Pieces of the tree are planted near the shrines of the four Buddhist gods that protect the island, namely, Natha Vishnu, Kataragama and Pattini. Once the planting is done, the festivities begin. On the sixth night – which is tonight for this year’s festival – the atmosphere takes a sober turn when processions begin from each shrine and move in the direction of the Temple of the Tooth.

These processions continue to swell each night until the last night of the pageant, when a massive, specially trained elephant carries a relic of the Tooth Relic in a golden chest on its back as the performers entertain crowds along the route. The procession ends at dawn with a water-cutting ceremony in which four priests representing the four temples enter the Mahaweli River. The priests “cut” circles in the water with a sword and fill pitchers with water from within the circle. The water is then kept in the pitchers for the entire year.

“It’s not just some wild event. It’s actually quite traditional,” Mishelle said. “People are praying to the tooth – three times daily – and bringing offerings, flowers to it. People dance and do all kinds of interesting things for the tooth, for the Buddha. You do also see people wearing masks of ghosts and demons, but this is still all quite traditional.”

With so much taking place, what is the most impressive element of this spectacle?

For Mishelle, it’s not the dancing, fire eating, ceaseless drumming or the throngs of people building by the day. For her, it’s the elephants – and in particular, the one specially trained and tasked with carrying a “relic of the Tooth Relic” (not the actual tooth but something standing in symbolically).

“It’s quite amazing that the animal knows what to do and never acts out of line. It just keeps walking where it’s supposed to go,” she said. “To me this is amazing.”

She added: “We can’t take out the real Buddha’s tooth as people believe that doing so would cause something terrible to happen. But the elephant carries something else in its place to represent the tooth. It almost seems like it knows what it is carrying.”

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